The sequel to the international best-selling novel The Art of Hearing Heartbeats. Almost ten years have passed since Julia Win came back from Burma, her father’s native country. Though she is a successful Manhattan lawyer, her private life is at a crossroads; her boyfriend has recently left her and she is, despite her wealth, unhappy with her professional life. Julia is lost and exhausted. One day, in the middle of an important business meeting, she hears a stranger’s voice in her head that causes her to leave the office without explanation. In the following days, her crisis only deepens. Not only does the female voice refuse to disappear, but it starts to ask questions Julia has been trying to avoid. Why do you live alone? To whom do you feel close? What do you want in life? Interwoven with Julia’s story is that of a Burmese woman named Nu Nu who finds her world turned upside down when Burma goes to war and calls on her two young sons to be child soldiers. This spirited sequel, like The Art of Hearing Heartbeats, explores the most inspiring and passionate terrain: the human heart.
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A poignant and inspirational love story set in Burma, The Art of Hearing Heartbeats spans the decades between the 1950s and the present. When a successful New York lawyer suddenly disappears without a trace, neither his wife nor his daughter Julia has any idea where he might be…until they find a love letter he wrote many years ago, to a Burmese woman they have never heard of. Intent on solving the mystery and coming to terms with her father’s past, Julia decides to travel to the village where the woman lived. There she uncovers a tale of unimaginable hardship, resilience, and passion that will reaffirm the reader’s belief in the power of love to move mountains.
The highly anticipated final book in the internationally bestselling The Art of Hearing Heartbeats trilogy, a moving story about love’s power to transcend distances and heal seemingly irreparable wounds. Twelve-year-old Ko Bo Bo lives with his uncle U Ba in Kalaw, a town in Burma. An unusually perceptive child, Bo Bo can read people’s emotions in their eyes. This acute sensitivity only makes his unconventional home life more difficult: His father comes to visit him once a year, and he can hardly remember his mother, who, for unclear reasons, keeps herself away from her son. Everything changes when Bo Bo discovers the story of his parents’ great love, which threatens to break down in the whirlwind of political events, and of his mother’s mysterious sickness. Convinced that he can heal her and reunite their family, Bo Bo decides to set out in search of his parents. A gripping, heartwarming tale that takes the reader from Burma to New York and back, The Heart Remembers is a worthy conclusion to Jan-Philipp Sendker’s beloved series.
In this first book of the Rising Dragon series, “explore a side of Hong Kong tourists rarely experience” (Kirkus Reviews) as an expat journalist tries to crack a murder case in the “darkly beautiful, heart-wrenching” (Booklist, starred review) thriller set in China from the internationally bestselling author of The Art of Hearing Heartbeats. Once an ambitious American expat and a dedicated family man, Paul Leibovitz is living as a recluse on an outlying island of Hong Kong. When he makes a fleeting connection with Elizabeth, a distressed American woman on the verge of collapse, his life is thrown into turmoil. Less than twenty-four hours later, Elizabeth’s son is found dead in Shenzhen, and Paul, invigorated by a newfound purpose, sets out to investigate the murder on his own. As Paul, Elizabeth, and a detective friend descend deeper into a politically corrupt China and the Shenzhen underworld—against the wishes of a woman with whom Paul has a growing flirtation—they discover dark secrets and vestiges of the Cultural Revolution that people will go to any lengths to keep hidden. Part love story, part crime thriller, Whispering Shadows is the captivating tale of one man’s desperate search for redemption within the grip of a world superpower, a place where secrets from the past threaten to upend the future.
2017 PROSE Award Winner: Outstanding Scholarly Work by a Trade Publisher In the vein of Jane Jacobs’s The Death and Life of Great American Cities and Edward Glaeser’s Triumph of the City, Jonathan F. P. Rose—a visionary in urban development and renewal—champions the role of cities in addressing the environmental, economic, and social challenges of the twenty-first century. Cities are birthplaces of civilization; centers of culture, trade, and progress; cauldrons of opportunity—and the home of eighty percent of the world’s population by 2050. As the 21st century progresses, metropolitan areas will bear the brunt of global megatrends such as climate change, natural resource depletion, population growth, income inequality, mass migrations, education and health disparities, among many others. In The Well-Tempered City, Jonathan F. P. Rose—the man who “repairs the fabric of cities”—distills a lifetime of interdisciplinary research and firsthand experience into a five-pronged model for how to design and reshape our cities with the goal of equalizing their landscape of opportunity. Drawing from the musical concept of “temperament” as a way to achieve harmony, Rose argues that well-tempered cities can be infused with systems that bend the arc of their development toward equality, resilience, adaptability, well-being, and the ever-unfolding harmony between civilization and nature. These goals may never be fully achieved, but our cities will be richer and happier if we aspire to them, and if we infuse our every plan and constructive step with this intention. A celebration of the city and an impassioned argument for its role in addressing the important issues in these volatile times, The Well-Tempered City is a reasoned, hopeful blueprint for a thriving metropolis—and the future.
This “vivid, fascinating, and haunting look at today’s China” (Library Journal, starred review) and highly anticipated sequel to the “darkly beautiful, heart-wrenching” (Booklist) Whispering Shadows features a brooding German-American expat who is struggling to begin a new life—only to find himself embroiled in an investigation that could have dangerous environmental and personal consequences. Paul Leibovitz is determined to turn over a new leaf in Hong Kong and find peace after the death of his son. He believes that his love for Christine Wu will bring him the joy he desperately needs—but things change when Christine gets an unexpected letter from Da Long, the brother she hasn’t seen in forty years, urging her to visit him in his remote village outside of Shanghai. Paul is compelled to travel with her, knowing full well that the mainland, with all of its menacing secrets, terrifies her. After an awkward reunion with her brother, Christine leaves immediately but Paul decides to stay. He’s a journalist at heart, after all, and there are questions begging for answers, such as why are Da Long’s wife, other local women, and even some pets exhibiting the same mysterious symptoms? With a bit of investigating, Paul discovers that a powerful chemical conglomerate has been polluting a nearby lake, and the Chinese government has done nothing to stop it. Da Long’s children demand justice and want to sue, even though a suit would put their lives at risk. Will anyone take on their case or will intimidation and corruption suppress even the most outspoken citizens? Can Paul walk away, or will he pull the woman he loves reluctantly back into a world she escaped from decades ago? Suspenseful and rife with the page-turning storytelling that has come to define Sendker’s work, Language of Solitude is a brilliant and timely thriller that offers a penetrating look into contemporary China.
From the author of the internationally bestselling The Art of Hearing Heartbeats comes this charming collection of folktales that offer a window into Burma’s fascinating history and culture. Since 1995 Jan-Philipp Sendker has visited Myanmar (Burma) dozens of times, and while doing research for his novels The Art of Hearing Heartbeats and A Well-Tempered Heart, he encountered numerous folktales and fables. These moving stories speak to the rich mythology of the diverse peoples of Burma, the spirituality of humankind, and the profound social impact of Buddhist thought. Some are so strange he couldn’t classify them or identify a familiar moral, while others reminded him of the fairy tales of his childhood, except that here monkeys, tigers, elephants, and crocodiles inhabited the fantastic lands instead of hedgehogs, donkeys, or geese. Their morals resemble those of the Brothers Grimm or Hans Christian Andersen, illustrating how all cultures draw on a universal wisdom to create their myths. The Long Path to Wisdom’s evocative stories run the gamut of human emotions, from the familiar to the shocking, and are sure to delight fans of The Art of Hearing Heartbeats as well as those newly discovering the magic of Sendker’s incandescent writing.
The basic rules governing the use of periods, semicolons, hyphens, commas, and other punctuation marks are illustrated by original explanations and humorous sample sentences. Reprint.
Andreas Werckmeister (1645 – 1706), a late seventeenth-century German Lutheran organist, composer, and music theorist, is the last great advocate and defender of the Great Tradition in music, with its assumptions that music is a divine gift to humanity, spiritually charged yet rationally accessible, the key being a complex of mathematical proportions which govern and are at the root of the entire universe and all which that embraces. Thus understood, music is the audible manifestation of the order of the universe, allowing glimpses, sound-bites of the very Creator of a well-tempered universe, and of our relationship to each other, our environment, and the divine powers which placed us here. This is the subject matter of the conversation which Werckmeister wishes to have with us, his readers, particularly in his last treatise, the Musicalische Paradoxal-Discourse. But he does not make it easy for today’s readers. He assumes certain proficiencies from his readers, including detailed biblical knowledge, a fluency in Latin, and a familiarity with treatises and publications concerning music, theology, and a number of related disciplines. He writes in a rather archaic German, riddled with obscure references which require a thorough explanation. With its extensive commentary and translation of the treatise, this book seeks to bridge Werckmeister’s world with that of the twenty-first century. Werckmeister wrote for novice and professional musicians alike, an author who wanted to consider with his readers the basic and existential questions and issues regarding the wondrous art of music, questions as relevant then as they are now.