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Award-winning author Tim Lebbon takes fantasy to new heights in his thrilling new epic as unlikely allies struggle to keep the light of hope burning against a tide of unending darkness... Noreela teeters on the brink of destruction, but at its center pulses a magic grown stroner than ever before. Now the Mages have raised an army of terrifying warriorsand unstoppable war machins. Their goal: the annihilation of all Noreela through a reign of bloodhsed and death unlike any ever imagined. But Noreela's last survivors will not go quietyly into the never-ending darkness. One man will lead a desperate band of rebels, including a witch, a fledge miner, and a dreaming librarian. For an ancient prophecy predicts that the future of magic will emerge in a child still unborn—if only our heroes can stay alive until dawn. From the Trade Paperback edition.
A New Translation From The French By Marion Wiesel Born in Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 and deported to the Auschwitz concentration camp, and then to Buchenwald. Night is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's seminal work.
"In 1939," Julian Padowicz says, "I was a Polish Jew-hater. Under different circumstances my story might have been one of denouncing Jews to the Gestapo. As it happened, I was a Jew myself, and I was seven years old." Julian's mother was a Warsaw socialite who had no interest in child-rearing. She turned her son over completely to his governess, a good Catholic, named Kiki, whom he loved with all his heart. Kiki was deeply worried about Julian's immortal soul, explaining that he could go to Heaven only if he became a Catholic. When bombs began to fall on Warsaw, Julian's world crumbled. His beloved Kiki returned to her family in Lodz; Julian's stepfather joined the Polish army, and the grief-stricken boy was left with the mother whom he hardly knew. Resourceful and determinded, his mother did whatever was necessary to provide for herself and her son: she brazenly cut into food lines and befriended Russian officers to get extra rations of food and fuel. But brought up by Kiki to distrust all things Jewish, Julian considered his mother's behavior un-Christian. In the winter of 1940, as conditions worsened, Julian and his mother made a dramatic escape to Hungary on foot through the Carpathian mountains and Julian came to believe that even Jews could go to Heaven.
The author, at age eighty-two, was told that he needed immediate surgery to clear his blocked arteries. On what he knew might very well be his deathbed, he reflected on his many losses and accomplishments, and on all that remained to be done. Fortunately, he survived the life-threatening heart surgery to turn those reflections into a book which discusses his affection for his family both departed and still living, his aspirations for his writing, and his hope that he improved the world
The shadows recede from a lost temple in a forgotten wilderness. The sun rises on a new calling for a man as loyal as he is mysterious. The day's beginning finds Erevis Cale holding in his steady hands more power than he dared hope for - and more responsibility than he ever imagined. For now, he will have to put his trust in a god served by theives and born of chaos.
Elie Wiesel’s classic look at Job and seven other Biblical characters as they grapple with their relationship with God and the question of his justice. “Wiesel has never allowed himself to be diverted from the role of witness for the martyred Jews and survivors of the Holocaust, and by extension for all those who through the centuries have asked Job's question: ‘What is God doing and where is His justice?’ Here in a masterful series of mythic portraits, drawing upon Bible tales and the Midrashim (a body of commentary), Wiesel explores ‘the distant and haunting figures that molded him’: Adam, Cain and Abel, Abraham and Isaac, Jacob, Joseph, and Job. With the dramatic invention of a Father Mapple and the exquisite care of a Talmudic scholar, Wiesel interprets the wellsprings of Jewish religious tradition as the many faces of man’s greatness facing the inexplicable. In an intimate relationship with God it is possible to complain, to demand. Adam and Eve in sinning “cried out” against the injustice of their entrapment; Cain assaulted God rather than his brother; and Abraham's agreement to sacrifice his son placed the burden of guilt on Him who demanded it. As for Job, Wiesel concludes that he abdicated his defiance as did the confessing Communists of Stalin’s time to ‘underline the implausibility’ of his trial, and thus become the accuser. Wiesel’s concern with the imponderables of fate seems to move from strength to strength” (Kirkus Reviews).